A smouldering grid on a cypress stand
The sadness of traditional instruments
is because they yearn to go back
to return to where they were once played
before the big stage
before the big audience
the kore can smell the earth after rain on the edges of the forest
the shamisen is listening to the village turning in for the night
what they sang before the words were added
what they sang before the songs were famous
they pay close attention to what surrounds them
because they are unhomed
the charango dreams of clouds hiding the distant peaks
the sarod is on a bus heading home
from the market with three women
who sold nothing
but make each other laugh
before the techno version
the santuri has stopped for a drink
men playing cards in a lozenge of light
notes like tobacco brushed off a knee
coloured lanterns moving in the freshening wind
how can we hear that
​
Commended, Melbourne Poets Union International Poetry Prize 2022